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‘Heads Of State’ Review: John Cena And Idris Elba Try To Save The World And This Movie Loaded With Action, Violence, Explosions, And Not Much Else
After showing his penchant for non-stop violent action and general mayhem in his first two R-rated films, 2015’s 96-minute Hardcore Henry and 2021’s Bob Odenkirk-starring 92-minute Nobody (getting a sequel later this year), director Ilya Naishuller proves those feature film debuts were no accident…
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By Pete Hammond
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1 Comments Comment on ‘Heads Of State’ Review: John Cena And Idris Elba Try To Save The World And This Movie Loaded With Action, Violence, Explosions, And Not Much Else
‘M3GAN 2.0’ Review: The Killer Doll Is Back But In A Kickass Mission To Defeat An Even Greater AI Threat In Fun, Action-Packed Sequel
The killer doll who became the meme heard round the world is back, but she’s a bit different this time around – or is she?
Could this AI robotic invention-turned-terrorist doll that only a child named Cady could love actually redeem herself in an…
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By Pete Hammond
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‘Everything’s Going To Be Great’ Review: Bryan Cranston And Allison Janney Lead Game Cast In Uneven Dramedy About A Family Whose Lives Aren’t In Sync
A spirited rendition of “There’s No Business Like Show Business” during the opening credits gets the oddball dramedy Everything’s Going To Be Great off to a promising start, right in line with its optimistic title. What follows though is the story of a…
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By Pete Hammond
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‘28 Years Later’ Review: Danny Boyle Delivers Severed Heads And Broken Hearts In His Gory Zombie-Horror Threequel
Now/then, now/then… The past and the present exist in perpetual tension in the gory second sequel to Danny Boyle's zombie horror franchise. "Time didn't heal anything," goes the tagline, and as we learned from the recent pandemic, mankind isn't always prepared for the worst.
By far the most…
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By Damon Wise
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‘Elio’ Review: Pixar’s Sci-Fi Spectacular Gets Lost In Space
The latest animation from Pixar has been in the pipe for quite some time, and while that's not so strange for such a labor-intensive production, it's telling that the finished version bears little resemblance, story-wise, to the film promised by the…
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By Damon Wise
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‘F1: The Movie’ Review: Brad Pitt Puts The Pedal To The Metal In Joseph Kosinski’s Old-School Racing Drama
F1: The Movie starts, ominously enough, with the black Warner Bros logo, which suggests it's going the be The Dark Knight Rises of sports movies. But although it never really relaxes into the fun, '60s-style Paul Newman picture it might have been, F1…
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By Damon Wise
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‘Little Amelie’ Review: Awards Buzz Awaits This Delightfully Dark Meditation On Life And Death From A Child’s Perspective – Annecy Festival
You could be forgiven for thinking Little Amélie is some sort of prequel to Jean-Pierre Jeunet's delightfully French 2001 fantasy Amélie. Instead, this animated feature from Maïlys Vallade and Liane-Cho Han is delightfully French in a different kind of way, perfect for sensitive adults and…
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By Damon Wise
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‘Fixed’ Review: Very R-Rated Hot-To-Trot Dog Cartoon Tries Hard To Be Outrageous & Succeeds- Annecy Animation Festival
In Fixed, premiering at the Annecy International Festival of Animation in France, Netflix has a nice feature film companion piece for its oh-so-adult animation shows like Big Mouth. This one about a pooch named Bull fetting over the imminent loss of his doggie testicles — or so he thinks — is in the…
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By Pete Hammond
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‘Rosemead’ Review: Lucy Liu Scores As A Suburban Mom Forced To Confront The Unthinkable – Tribeca Festival
The sunny strip-mall mundanity of Southern California's San Gabriel Valley is the fascinating setting for Eric Lin's dark directorial debut, the unsettling and not entirely successful story of a widow struggling with her son's mental illness. Based…
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By Damon Wise
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‘Arco’ Review: Natalie Portman Produces French Time-Traveling Rainbow-Colored ‘Toon With Climate Change Message And ‘E.T.’ Influences – Annecy Animation Film Festival
Don’t be confused by the title. The new French animated film Arco that debuted at Cannes in May and is at France’s Annecy Animated Film Festival this week is not about a gas station.
Instead, this debut feature film from illustrator and graphic…
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By Pete Hammond
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‘A Magnificent Life’ Review: Director Sylvain Chomet Brings French Icon’s Life To Visual Glory In Biopic Toon That Plays It Safe – Annecy Animation Film Festival
Sylvain Chomet, the great French animation filmmaker, started his movie career with a short called The Old Lady and the Pigeons, which won a BAFTA and the Grand Prize at the 1997 Annecy Animation Film Festival and got an Oscar nomination. He followed…
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By Pete Hammond
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‘Materialists’ Review: Dakota Johnson Measures Value Of Love Between Chris Evans And Pedro Pascal in Celine Song’s Sublime Romcomdram
Watching writer-director Celine Song’s follow-up to her feature debut, indie darling and 2023 Best Picture Oscar nominee Past Lives, all sorts of supposed cinematic influences ran through my mind from Billy Wilder’s The Apartment to James L. Brooks’ Broadcast News to Mike Nichols’ Working Girl and…
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By Pete Hammond
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